" not I have to go to Bosnia " is the name of the log of the dancer, choreographer, modern dance teacher and actress Natalia Argentina Martirena . In " not I have to go to Bosnia " Natalia holding shares that dialogue herself and others and "the big one", as she says. The substrate that weaves his posts is marked precisely by the interests that underlie his artistic work and findings about them. Enter the universe
Natalia is breathing its ongoing quest to experience the multiple experience of being and rediscover each day as fully human latency and potentialities.
To log into your blog, do click http://hoynotengoqueirabosnia.blogspot.com/
INTERVIEW WITH THE AUTHOR
What date makes its appearance on the Web "I have to go to Bosnia?"
November 2008.
what purpose (s) or initial motivation? Put
conversations I have with me, with others, with the great one (I get Lacanian not) written to network (surfeando.
What are the posts or post which has (n) generated greater public response?
I think most contradictory posts for an audience somewhat predictable (the public dance especially.
Could you mention a favorite post published?
The importance of noodles in contemporary art
What are the blogs I usually visit? Action
literary lot, DCO and ArchivoWhite.
Do you have contact with weblogs or virtual pages Peruvian literature? Can you name any of them?
No, it's come from the dance and theater. I love literature but ,,,,,, away despite myself.
What do you think of the fastest growing use of virtual space as a medium for publication books, literary journals and personal pages?
is a way to network more, perhaps to make resistance. The issue is how to distinguish trash and keep what is necessary. Someone says it's political autobiography and others say it is an empty belly, I'm in the middle as by mixing, crochet, cross-breeding.
What advantages and disadvantages have you noticed in using the blog as a virtual space free? Advantages
many, I live in a medium city of Argentina is very conservative. I have a feeling of open game and not get caught, while the act of taking things that were previously saved.
The disadvantage I dedicate the time.
Do you think that blogs have become an alternative form of distribution and expression to the traditional media?
Yes!
Do you think that virtual spaces such as weblogs have prompted the media to renew their traditional formats and expression?
do not know, but I changed my creative process.
What future prospects will see the weblog as a communication vehicle, information and dissemination?
Least I know, I feel that an interesting future (that goose!).
What you think about weblogs called "junk blogs?
am novice in this world, I send one?
Can you make an initial appraisal of this experience on the Web? You think you've successfully achieved your initial expectations?
Yes and surpassed them. My assessment is that the process of reflection that leads me to post concexiones unexpected and enriching.
What writers are your gallery accompanying readings? Nothing
novel, I go by sociology, anthropology, art criticism, poetry etc.
Sontag, Le Breton, Marcelo Díaz (writer bahiense de puta madre), Pereck, Lemebel, Ponge, Deleuze ... .... Very bizarrra
mixture
What are the books or the book that has (have) caused greatest impact on your creative process or your contact with the literature?
Nicholas Relational Aesthetics and Aesthetic Bourriau Reginaldo Emergency Laddaga
"Project (s) on the verge?
Creating Contemporary Race 1992 Creating
LAM (Laboratory of Movement Arts) 2008
Member of documentary theater troupe
Ferrowhite.2006 museum building project "Stories that dance" (traveling educational project.) Works
dance performances
Contact Email:
nataliamartirena@yahoo.com.ar
About the author:
Martirena Natalia was born in 1969 in Bahia Blanca. Dancer, choreographer and modern dance teacher who studied Art History, UBA .. He joined the Group Theater Chaos, He studied at the University of Berkeley, USA, at the Teatro Die, Vienna led the project in-migrants with the dancer and choreographer Austrian Helmut Byert. Antorchas Foundation won scholarships, participated in the ADF (American Dance Festival, USA) and further grant National Endowment for the Arts. In 2007 he was selected to study with Philippe Genty (France), directed by Mariana Belloto, Claudio Hochman, Rafael Spregelburg, Fumiyo Ikeda (Netherlands) and
Gabriela Prado among others. Since 2006 part of the draft document File White Theatre, under the direction of Vivi Tellas, in "FerroWhite - museum shop." Today Victoria Ansiaume coordinating with LAM, Movement Arts Lab, initiated by the Cultural Institute at the Teatro Municipal de Bahía Blanca.
What future prospects will see the weblog as a communication vehicle, information and dissemination?
Least I know, I feel that an interesting future (that goose!).
What you think about weblogs called "junk blogs?
am novice in this world, I send one?
Can you make an initial appraisal of this experience on the Web? You think you've successfully achieved your initial expectations?
Yes and surpassed them. My assessment is that the process of reflection that leads me to post concexiones unexpected and enriching.
What writers are your gallery accompanying readings? Nothing
novel, I go by sociology, anthropology, art criticism, poetry etc.
Sontag, Le Breton, Marcelo Díaz (writer bahiense de puta madre), Pereck, Lemebel, Ponge, Deleuze ... .... Very bizarrra
mixture
What are the books or the book that has (have) caused greatest impact on your creative process or your contact with the literature?
Nicholas Relational Aesthetics and Aesthetic Bourriau Reginaldo Emergency Laddaga
"Project (s) on the verge?
Creating Contemporary Race 1992 Creating
LAM (Laboratory of Movement Arts) 2008
Member of documentary theater troupe
Ferrowhite.2006 museum building project "Stories that dance" (traveling educational project.) Works
dance performances
Contact Email:
nataliamartirena@yahoo.com.ar
About the author:
Martirena Natalia was born in 1969 in Bahia Blanca. Dancer, choreographer and modern dance teacher who studied Art History, UBA .. He joined the Group Theater Chaos, He studied at the University of Berkeley, USA, at the Teatro Die, Vienna led the project in-migrants with the dancer and choreographer Austrian Helmut Byert. Antorchas Foundation won scholarships, participated in the ADF (American Dance Festival, USA) and further grant National Endowment for the Arts. In 2007 he was selected to study with Philippe Genty (France), directed by Mariana Belloto, Claudio Hochman, Rafael Spregelburg, Fumiyo Ikeda (Netherlands) and
Gabriela Prado among others. Since 2006 part of the draft document File White Theatre, under the direction of Vivi Tellas, in "FerroWhite - museum shop." Today Victoria Ansiaume coordinating with LAM, Movement Arts Lab, initiated by the Cultural Institute at the Teatro Municipal de Bahía Blanca.
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